MR. MONK AND THE DIRTY COP, the latest novel in the tie-in series by Lee Goldberg, will be released next week, and you should do yourself a favor and pick up a copy. I’ve mentioned here before how much I enjoy these books, and this one is no exception.
MR. MONK AND THE DIRTY COP finds Adrian Monk being forced out of his comfort zone again (as if Monk actually has a comfort zone). Budget cuts cause his old friend Captain Stottlemeyer to fire him from his job as a consultant for the San Francisco Police Department, so Monk winds up going to work for a snazzy, high-tech private detective and security outfit called Intertect (a deliberate nod on Goldberg’s part to the old MANNIX TV series – and not the only such nod in this book, either). Naturally, there are several cases going on, and also naturally, some of them wind up being linked in ways that aren’t readily apparent at first. Monk, with the able assistance of narrator Natalie Teeger, sorts through them in his own distinctive way. The stakes are raised higher than usual, though, when someone he’s close to winds up in jail, charged with murder.
As always, Lee Goldberg has the voices of the characters down perfectly and spins his yarn in smooth, often funny, and occasionally poignant prose. The plot has just the right level of complexity. There are a lot of excellent tie-in novels out there (the level of writing in the genre has never been higher than it is right now), but the Monk books are some of the very best. Don’t miss MR. MONK AND THE DIRTY COP.
Over the years I’ve read and enjoyed a number of comics written by Matt Wagner, his long-running series SANDMAN MYSTERY THEATRE being the most notable. TRINITY is a fine trade paperback reprinting a three-issue miniseries written and drawn by Wagner and featuring DC’s three most iconic characters: Superman, Batman, and Wonder Woman.
Now, when I was a kid, I wasn’t a Wonder Woman fan. I suppose I was as sexist as any other ten or twelve year old boy in the Sixties. Plus I really didn’t like the art on the issues coming out then. In the late Sixties and early Seventies, DC tried to remold Wonder Woman into a Modesty Blaise sort of character, and while that was interesting, it never really worked for me, either. In the Eighties, though, there was another Wonder Woman relaunch with excellent stories and art by George Perez, and that one won me over. I’m still not a huge fan, but Wonder Woman is okay.
Throw her into an epic story with Superman and Batman, though, and you’ve got something. TRINITY is the story of Wonder Woman’s first meeting with them, and it involves an evil, globe-spanning conspiracy hatched by one of Batman’s arch-enemies, Ra’s Al Ghul, as well as one of Superman’s antagonists, Bizarro (who’s not really evil but still plenty dangerous anyway). Several things make TRINITY a fine piece of graphic novel entertainment. Wagner provides the art as well as the story, and it really works. He’s a good storyteller who uses classic layouts most of the time. His script is top-notch, capturing the personalities of Superman and Batman in all their complexity. There’s a sense of rivalry that’s always there, as well as a certain frustration and disapproval that each feels about the other’s methods, but above all, they’re friends. Then that sort of gets knocked cock-eyed by the arrival of Wonder Woman. No, there’s not any sense that they’re vying for her affections (although Batman is surprisingly interested in her). Wagner is too subtle a writer to take the easy, obvious route. But having Wonder Woman around does change the dynamic between Superman and Batman, at least a little.
This is one of the best comic book series I’ve read recently. If you’re a fan of the classic DC characters (another of whom makes a funny, unbilled cameo appearance), give TRINITY a try. I had a great time reading it.
I enjoy a good war movie every now and then, and THE LOST BATTALION fits the bill. Made for the A&E cable network, it’s based on the true story of an American battalion that gets cut off from the rest of the American forces during an advance into the Argonne forest during World War I. Almost completely surrounded by the Germans, the Americans resolve to hold their position until help arrives, which takes days. Outnumbered, starving, without medical supplies, the odds are against any of them surviving.
In classic war movie fashion, THE LOST BATTALION introduces us to about a dozen of the soldiers, most of them from New York but some from Texas and Montana as well. Most of them are “citizen soldiers”, who were either drafted or enlisted to fight, not career military. Their commander, a lawyer in civilian life played by Rick Shroeder, fits into this category, too, and struggles to become a respected leader. You know going in (at least you do if you’ve ever watched many war movies) that not all of them are going to make it, but this grim, gritty film directed by Russell Mulcahy makes their life-and-death struggle very interesting.
With its unrelenting air of doom, I’m not sure I’d say that THE LOST BATTALION is an entertaining film, but it’s very well-done (other than some shaky camerawork I didn’t like) and I think it’s a movie that’s well worth watching.
I was never a big fan of Farrah Fawcett or Michael Jackson, but I'm sorry to hear about their passing. The third death today hits a lot harder in the Western field. Don Coldsmith, who collapsed last week during the Western Writers of America convention, has passed away. I was definitely a fan of Don and his work. We weren't close friends but always talked whenever we were at the same convention. I believe we shared an agent for a while. He was a good man and a fine writer. Best known for his multi-book Spanish Bit series, he also wrote several very good stand-alone historical novels. He will definitely be missed.
THE TARNISHED STAR, the debut novel by Gary Dobbs of The Tainted Archive (writing as Jack Martin), is out now, and I’m happy to report that it’s a fine traditional Western novel. It’s the story of Sheriff Cole Masters, who runs afoul of the evil Bowdens, father and son. Wisely starting in the middle of the action, Dobbs takes a page from the movie RIO BRAVO and has Masters waiting for the arrival of the circuit judge so that the prisoner in his jail, Sam Bowden, can be tried for the murder of a prostitute. Sam’s father, wealthy and powerful cattleman Clem Bowden, has a different idea. He plans to free his son, no matter what it takes.
From that point, Dobbs veers off from the expected and spins a yarn of violence and redemption in gritty, tough-minded prose. Cole Masters is hardly an infallible hero. He can be indecisive at times and dangerously impulsive at others. He never loses his devotion to the law, however, and before the book is over, the title reference to a tarnished star takes on more than one meaning.
THE TARNISHED STAR is an entertaining, fast-moving story, as are all the books I’ve read from the Black Horse Westerns line. From the pulpish cover to the final showdown in which plenty of bullets fly, it’s a fine, action-packed Western that still manages to be character-driven. You can order it from an assortment of places, including Amazon and The Book Depository (which offers prompt, free shipping worldwide – hard to beat that deal, which is why I ordered THE TARNISHED STAR from them), and if you’re a Western fan, you want to get your hands on this one.
Speaking of explosions, as I was in the previous post, there’s one in TAKEN, and a lot of other action, too. Liam Neeson, handling the running, shooting, and fighting parts just fine, plays a retired CIA agent who goes after the bad guys who kidnap his daughter while she’s vacationing in Paris. Needless to say, since Luc Besson co-wrote this film, Neeson’s character is a one-man army much like Frank Martin in the Transporter movies, although the stunts in this one are somewhat more believable. There aren’t really any twists to the plot. Everything plays out pretty much like you’d expect it to. But when it’s done as well as it is here, that’s fine with me. I liked TAKEN a lot, and if you’re in the mood for an action movie, I highly recommend it.
That was my comment, referring to my usual movie-watching habits, after we watched LITTLE MANHATTAN, a sweet, occasionally funny film about the budding romance between a couple of fifth-graders who live in New York City. This movie takes place in what I think of as sitcom Manhattan, where everything is incredibly clean and safe and charming. It's a pretty good film, although, lowbrow that I am, I wouldn't want a steady diet of movies like it, either. But that takes me back to my original comments about six-guns, etc. On the other hand, why the hell not?