Saturday Morning Western Pulp: Real Western Stories, February 1954

This is a pulp that I own and read recently. That’s my slightly ragged copy in the scan. I think the cover is by A. Leslie Ross, but I’m not absolutely sure about that. “15 Action-Packed Stories”, the cover proclaims, but what it doesn’t tell you is that eight of those are actually Special Features, Fact Features, and Departments—filler, in other words—leaving only seven pieces of actual fiction in this issue.

The lead story is “Judge Bates’ Boothill Court” by Lee Floren, the next to last entry in his Judge Bates series that started in 1940 and lasted for 26 stories, the last one being published in 1955. The stories appeared at first in various Popular Publications pulps and then moved over to various Columbia Publications pulps, where the majority of them appeared. After that, Floren used Judge Lemanuel Bates and his sidekick Tobacco Jones in several novels. Bates is the judge in a Wyoming cowtown and Jones is the local postmaster, and together they also own a ranch. They wind up involved in assorted mysteries.

Since Lee Floren was a very inconsistent writer, I always go into one of his stories with fairly low expectations. That way, if it turns out to be a good one, I’m pleasantly surprised. “Judge Bates’ Boothill Court” is one of the good ones, I’m glad to say. Bates and Jones travel to a different town for once as Bates is called on to replace another judge who’s been wounded in an ambush. As it happens, the young man accused of trying to kill the other judge is well-known to Bates and Jones, and they don’t believe he’s guilty. Not surprisingly, somebody tries to kill both of them soon after they arrive, and they’re off on a case that involves danger, a few pretty girls, and a villain who’s so obvious that he might as well be wearing a sign on his back. While there aren’t any surprises in this yarn, Floren spins it with skill and enthusiasm, and there are only a few instances of the clumsy writing he’s prone to at times. I enjoyed this one quite a bit.

The long-running series by Lon Williams featuring Deputy Marshal Lee Winters is well-regarded, and it’s unusual because many of the stories feature supernatural elements. I’ve read several of them, though, and so far, I’m not a fan. “Misfortune’s Darling” in this issue is the first one I’ve read that doesn’t have anything supernatural in it. Instead, Winters investigates a series of murders and robberies plaguing travelers in his area. There’s a side plot that serves no real purpose. I realize this is damning with faint praise, but this is the best of these stories I’ve read so far. I’m willing to read more, but my patience with them is getting stretched kind of thin.

Richard Brister is a fairly dependable Western writer. His story in this issue, “Big Man in This Town”, is about a banker who turns to murder to save his failing institution. But of course things don’t play out the way he hopes. This isn’t a bad story and is decently written, but there’s not much to it.

The same can be said of John T. Lynch’s short-short “Hassayampa Hassle”, a tall tale about a whiskey drummer who drinks from a magical river that’s supposed to prevent people from telling the truth. It’s supposed to be a comedy, but it’s not really funny and just sort of ends without making any kind of point.

I’ve read a few stories by A.A. Baker that were okay, but “Death at the China Mine” in this issue isn’t one of them. It’s about a mine cave-in and a stagecoach carrying a lot of cash, I think. The plot is so muddled and the writing so poor that I just skimmed through it.

“The Golden Spike” by Gene Rodgers is a little better. A golden spike is used to complete the last link in a railroad in Oregon, and a couple of outlaws decide to steal it out of the ground. Again, things don’t play out according to plan. This short-short is somewhat entertaining, and at least it has a beginning, middle, and end.

Finally, we come to Seven Anderton’s novelette “Peaceful Pilgrim”. Thank goodness for Seven Anderton, I say. This story is about a hired gun who’s tried of fighting in senseless range wars, so he decides to go back to where he came from, the Pecos country in West Texas. So what happens as soon as he gets there? He gets mixed up in a range war, of course, as the local cattle baron decides to force all the small ranchers and sodbusters out of the valley any way he has to, including burning them out and killing them. But standing in his way is the protagonist Hank Sawyer, who finally has something worth fighting for besides pay.

You can tell from that description that this is a very traditional plot we’ve all read and seen many times before. But Anderton’s writing is top-notch as always, Hank Sawyer is a good protagonist, and there are some well-done action scenes. The only flaw in this story is that the ending isn’t as dramatic as it could have been, a tendency that I’ve discovered is common in Anderton’s Westerns. He seems to prefer not to give the reader the kind of action-packed showdowns that I like in my Western reading. That’s his choice, and I’ll still read his stories because his prose is very good, but that keeps him from becoming a real favorite of mine.

This is a very typical issue of a Columbia Western pulp edited by Robert W. Lowndes: a couple of good but not great stories by Floren and Anderton and the rest poor to mediocre. I’ll keep reading them because from time to time Lowndes got his hands on a real gem despite not being able to pay much. But I’ve learned not to expect a great deal from them. The covers are usually pretty nice, though.

A Rough Edges Rerun Review: The Dark Brand - H.A. DeRosso

H.A. DeRosso wasn’t prolific at novel-length works, turning out only a handful of books in a career cut short by a mysterious death that might have been suicide or an accident. He wrote a lot of short stories and novelettes for the pulps, though, some of which have been collected. Several of his novels have been reissued as well.

THE DARK BRAND is one of those novels. It opens with the hero, Dave Driscoll, in jail for rustling, but the fellow in the next cell has it even worse. He’s going to be hanged the next morning for killing a bank teller during a robbery. This doomed hombre is a hardscrabble rancher with a wife, a son, and a failing spread who became a bank robber to help his family. Because of that, he’s hidden the money he got away with and refuses to tell anyone where it is, including the brutal sheriff who wants the loot for himself.

However, when Driscoll gets out of prison three years later and returns to the same town, he finds that a lot of people believe the condemned man told him where the money was hidden, and now there are various factions who want to force him to lead them to the loot by any means necessary, including torture. Driscoll really doesn’t know where the money is, but he wants to find it to help the hanged man’s wife and son.

None of DeRosso’s heroes are actually very heroic, and Driscoll fits that mold. He’s a brooding, emotionally tormented man who’s sort of forced into doing the right thing most of the time. What he goes through in this book doesn’t make him any more cheerful, that’s for sure. The story takes place near a mountain range called the Sombras that figures in some of DeRosso’s other books. The name certainly fits because there’s a somber air that hangs over THE DARK BRAND. And the title itself is an indication of the mood here, of course. Actually, THE DARK BRAND is regarded as one of DeRosso’s less bleak books, which tells you how grim he can sometimes be.

Fittingly, DeRosso writes in a spare, fast-moving style, and there are some excellent twists in the plot here, the sort that I should have seen coming but didn’t. His work has echoes of Cornell Woolrich and David Goodis, but what his books most remind me of are the noir Westerns of Ed Gorman. If you like any of those writers, I highly recommend that you pick up THE DARK BRAND or any of DeRosso’s other novels or short story collections.

(This post originally appeared in a somewhat different form on June 13, 2008. THE DARK BRAND is still available on Amazon in an e-book edition and is well worth reading.)

Review: The Deadly Combo - Jack Webb

When I started reading hardboiled mysteries in junior high, I thought Jack Webb, author of the series featuring priest/detective duo Father Joseph Shanley and Sammy Golden, was the same guy as Jack Webb the star of DRAGNET (and some excellent movies like PETE KELLY’S BLUES and -30-, but I hadn’t seen those yet). It didn’t take long to figure out that Webb the novelist was a totally different person. I read a few of his novels, which were easy to find in those days in their Signet paperback reprint editions, and remember enjoying them. But I hadn’t read anything else by him, as far as I recall, in the 50+ years since then.

Until Stark House recently reprinted two of Webb’s stand-alone novels in a handsome double volume, THE DEADLY COMBO and ONE FOR MY DAME. I started with THE DEADLY COMBO, originally published as half of an Ace Double mystery under Webb’s John Farr pseudonym. The novel opens with the discovery of a corpse in the alley behind a Los Angeles jazz club. The victim is a former jazz musician named Dandy Mullens. The cop who catches the case is Mac Stewart, a big, ugly, former prizefighter who happens to be a jazz aficionado himself and a friend of the murdered man. Mac’s quest to catch Dandy’s killer reminded me a little of how Mike Hammer often set out to avenge the murder of a friend.

Mac’s investigation takes him through a series of jazz clubs, strip joints, and fancy apartments, from the sleazy and sordid to the high class (but perhaps no less sordid). It seems there’s a legend in the jazz world that Dandy owned a solid gold trumpet, given to him as a publicity stunt decades earlier when he was one of the top musicians in the world, rather than the washed-up bum he was when he was killed. Somebody wanted that trumpet bad enough to kill for it, Mac believes, but at the same time, he happens to know that the whole story is a myth. Or is it? Halfway through this novel, the plot takes an abrupt but believable twist, and things that seemed apparent suddenly aren’t. Mac will have a lot to untangle to find the killer, if he lives long enough himself.

THE DEADLY COMBO is both a fast-paced, violent, hardboiled mystery and a love letter to jazz music, all at the same time. Mac Stewart is a great character, a bit of an intellectual as well as a tough, hard-nosed cop. Webb’s style in this novel is the prose equivalent of jazz, swooping and swirling almost into a stream-of-consciousness improvisation at times. It takes a little getting used to, but it works and is very effective. The plot winds up almost as dense and convoluted as a Ross Macdonald novel, but I think it all makes sense in the end.

What I know for certain is that I raced through THE DEADLY COMBO and really enjoyed it. I stayed up later than I normally do to finish it, and that takes a pretty compelling book at my age. The Stark House double volume, complete with a top-notch introduction by Nicholas Litchfield, is available in e-book and paperback editions on Amazon. I’ll be reading ONE FOR MY DAME soon.

Review: Rails Into Hell - Brent Towns

I enjoy railroad yarns, especially ones featuring railroad detectives, so the Faraday series is a natural for me as both writer and reader. I’m strictly a reader on the latest novel in the series to be released, RAILS INTO HELL by Brent Towns.

The thread that ties these books together is Faraday Security Services, owned by Matthew Faraday, a Pinkerton-like detective agency that works only for the railroads. Other than that, the books are largely stand-alones featuring different Faraday agents as the protagonists. In RAILS INTO HELL, Jack Quade has a reputation as a gunslinger for hire, and at one time that’s exactly what he was, after clashing with his rancher father and leaving home. For the past several years, however, he’s been working as an undercover Faraday agent while maintaining his reputation as a fast gun.

The murder of a surveyor who’s laying out the route for a spur line brings Quade back to his old stomping grounds, where he discovers that a range war is brewing between his father and a rich man who has moved in and started gobbling up all the smaller spreads in the area. Quade has to juggle both problems and try to find out if they might be connected, while at the same time dealing with complications involving a couple of beautiful women. And then there are the continued attempts on his life, one of which might just prove successful before he can untangle the dangerous threads of this assignment.

Towns provides a lot of genuinely surprising plot twists in this novel, along with plenty of action told in an effectively gritty style. RAILS INTO HELL reminded me of the great hardboiled Westerns published by Gold Medal, Ace, and Dell in the Fifties and Sixties. It’s well-written and fast-paced, and I hope there’ll be more Faraday novels in the future. In the meantime, this one from Wolfpack Publishing is available on Amazon in e-book and paperback editions, and if you’re a fan of tough-minded Western novels, I give it a high recommendation.

Sunday Morning Bonus Pulp: Detective Tales, September 1939

I think this is a Tom Lovell cover on this issue of DETECTIVE TALES, but I'm not absolutely certain. I am certain, though, that there's a great lineup of authors in these pages: Norbert Davis, Cleve F. Adams, Wyatt Blassingame, William B. Rainey (also Wyatt Blassingame), Emile C. Tepperman, Philip Ketchum, William R. Cox, Stewart Sterling, and Ray Cummings. Every one of those guys was a prolific, top-notch pulpster, and I'm sure this was a well-above average issue. 

Saturday Morning Western Pulp: Western Ace High Stories, February 1954

WESTERN ACE HIGH STORIES was one of the last Western pulps from Popular Publications and managed only six issues in 1953 and 1954. It's not to be confused with ACE-HIGH MAGAZINE, which was published by Clayton and then Dell from 1921 to 1935, then from 1936 to 1951 by Popular Publications, where it was known variously as ACE-HIGH WESTERN MAGAZINE, ACE-HIGH MAGAZINE, and ACE-HIGH WESTERN STORIES. WESTERN ACE HIGH STORIES, which we're concerned with today, lacks the hyphen in the title. Maybe Popular was trying to cash in on some nostalgia for the earlier versions when they brought back a similar title in '53-'54, or maybe they just had a lot of stories in inventory they needed to burn off. I don't think the cover of this issue is a particularly good one, but it is another example of the iconic "poker game interrupted by a fight" scene that's so common on Western pulps. There are actually some really good authors in this issue: Gordon D. Shirreffs, Frank Castle, J.L. Bouma, Roe Richmond, Bruce Cassiday, and house-names Lance Kermit and David Crewe. I suspect Bouma wrote one or both of those house-name yarns, but that's just a guess on my part. Really, the authors could be almost anybody. I don't own this issue, and I don't recall ever seeing any issues of WESTERN ACE HIGH STORIES. That's a lineup of authors worth reading, though. 

A Rough Edges Rerun Review: Day of the Moon - Bill Pronzini and Jeffrey Wallmann

As far as I can tell, DAY OF THE MOON has been published in only two editions, a 1983 British hardback from Robert Hale and a 1993 paperback reprint from Carroll & Graf. (No longer true. It's available in an e-book edition on Amazon.) It’s a dandy little crime thriller, tightly plotted as you’d expect from a couple of old pros like Bill Pronzini and Jeff Wallmann and written in terse, hardboiled prose that’s a joy to read.

Flagg (we’re never told his first name) is a troubleshooter for the mob, here known as the Organization. He’s headquartered in San Francisco. As the book opens, he’s looking for the loot from an armored car robbery which has disappeared following some sort of double-cross that left the planner of the heist dead. That job isn’t the only one Flagg has on his plate, though. He’s also investigating a series of hijackings involving trucks and merchandise owned by the Organization, including some moonshining equipment. That ties in with Flagg’s third assignment, which is to find the bootlegger who’s trying to muscle in on the Organization’s illegal liquor operation in the Pacific Northwest. Not surprisingly, the armored car robbery winds up being connected to Flagg’s other two jobs as well.

Flagg reminds me a lot of Donald E. Westlake’s Parker in his low-key professionalism and also in the fact that the reader winds up rooting for him despite the fact that he’s a criminal. He actually comes across as a private eye of sorts, except his only client is the Organization. He shies away from violence, although he’s plenty tough when he has to be, and prefers to rely on his brain rather than a gun. He needs both, though, to untangle this complicated plot. I’m not aware of any other books or stories featuring Flagg and don’t know if he was intended to be a series character, but he certainly could have been. DAY OF THE MOON is a fine, enjoyable novel. One of the reviews quoted on the cover of the paperback refers to it as a “good, old-fashioned page-turner”, and that’s exactly what it is.

(This post originally appeared in a somewhat different form on May 23, 2008. A few days later, on May 26, Bill Pronzini provided more information about the book's background.)

"You're right that Flagg was intended to be a series character. The novel was originally sold to Leisure here, but never published because of a change of regime and policy; Wallmann and I were lucky to sell it to Hale in the U.K. And to have Carroll & Graf do a U.S. mass market edition, all thanks to Ed G. (Ed Gorman)

Incidentally, MOON is composed of three novelettes, two from AHMM, one from MSMM, that we bridged together and revised into the novel format. There's one other Flagg novelette from AHMM that we planned to use as the basis for a second novel and that has never been reprinted or collected."

(And here's the listing of the original Flagg stories from the Fictionmags Index.)

Day of the Moon, (ss) Alfred Hitchcock’s Mystery Magazine June 1970, as by William Jeffrey
Murder Is No Man’s Friend, (ss) Mike Shayne Mystery Magazine November 1970, as by William Jeffrey
The Ten Million Dollar Hijack, (nv) Alfred Hitchcock’s Mystery Magazine January 1972, as by William Jeffrey
The Island, (ss) Alfred Hitchcock’s Mystery Magazine August 1972, as by William Jeffrey

(I've met both Bill Pronzini and Jeff Wallmann, one time each, on separate occasions. I'm sure some of you know them much better than I do. I found them to be fine fellows and excellent writers. In fact, I need to read more by both of them. In the meantime, I still highly recommend this novel.)

Review: Shootout at Hellyer's Creek - Chap O'Keefe (Keith Chapman)

SHOOTOUT AT HELLYER’S CREEK, recently reprinted in a new edition that’s available in e-book and paperback on Amazon, is the first novel in the Joshua Dillard series by one of my favorite Western writers, Chap O’Keefe (who is actually veteran author and editor Keith Chapman, of course).

In this novel, originally published in 1994 as a Black Horse Western by Robert Hale Ltd. in England, a stagecoach is on its way to the Arizona settlement of Hellyer’s Creek carrying three passengers and a very special cargo: $50,000 intended for the vault of the bank in Hellyer’s Creek. The passengers are a special agent for Wells, Fargo guarding the money, an English actress who’s married to the owner of the biggest saloon and gambling den in the settlement, and Clement P. Conway, a bespectacled Easterner better known as Nate Ironhorn, the author of dozens of popular Western dime novels who wants to interview the legendary lawman who’s currently the marshal of Hellyer’s Creek.

Not surprisingly, the stagecoach is ambushed by outlaws after the loot, which involves the rider who has been trailing the stage: Joshua Dillard, a former Pinkerton operative who is now a freelance gun for hire. Joshua is on a mission of his own, which he interrupts to save the passengers and help them escape from the bandits, which also brings into the story the tomboyish but beautiful redheaded daughter of a drunk who operates the next way station along the stage line. Eventually, everybody winds up in Hellyer’s Creek, trying to navigate and survive a twisty plot rife with corruption, betrayal, and violence.

As always, Chapman weaves together the various strands of his story with great skill and keeps the reader flipping the pages, eager to find out what’s going to happen next. The characters are colorful, downright eccentric in some cases, and interesting. Joshua Dillard, tough and smart but haunted by grief from a tragedy in his past, is a compelling and sympathetic protagonist.

As an added bonus in this book, Chapman includes an essay about the writing and original publication of this novel, including the fact that it wasn’t intended to be the first book in a series, but Joshua was too good a character not to bring back. Likewise, the young redheaded tomboy is a direct forerunner of Misfit Lil, the star of several later novels by Chapman and also a favorite of mine.

If you enjoy traditional Western novels that are fast-moving, full of action, and just a little offbeat, I give SHOOTOUT AT HELLYER’S CREEK a high recommendation, along with all the other Chap O’Keefe novels. I love a book with a distinctive, entertaining voice, and Keith Chapman always delivers.

#430

I just sent in my 430th novel. I used to confine posts like this to more significant milestones, but hey, at my age, every milestone is a significant one. My goal is to make it to 450 novels, which I believe is within reach barring any of the proverbial unforeseen circumstances. I got a good start on #431 while Livia was editing #430, so I had best get back to it. 

Sunday Morning Bonus Pulp: All-Story Detective, December 1949

ALL-STORY DETECTIVE was a short-lived Popular Publications detective pulp that ran for six issues in the late Forties. This was the last issue under that title. The magazine became 15 STORY DETECTIVE but managed only eight issues under that title. But many of the covers were by Norman Saunders, including this "What the heck is going on here?" number, and there were some good authors in its pages. In this issue, those authors include Frederick C. Davis, Bryce Walton, Bruce Cassiday, and Stuart Friedman, as well as lesser-known authors Robert Carlton, Ed Barcelo, and Robert F. Toombs. Like most of the short-run pulps, I'm sure many of the stories were good and the magazines failed for other reasons.